Monday, November 23, 2015

Soaked In Bleach

Come doused in mud, soaked in bleach
As I want you to be
As a trend, as a friend
As an old
Memoria, memoria
Memoria, memoria
And I swear that I don't have a gun
No I don't have a gun
No I don't have a gun...


Certain words come to mind when I think of Courtney Love. Like "skank" and "trashy" and "starfucker." Specific textures and scents manifest at the mention of her name: melted lipstick, skunky perfume, ashes, runny makeup, unwashed panties. I've never liked Courtney Love, never been a Hole fan, never understood what Kurt Cobain saw in her. I've known girls like Courtney before: vindictive little trash dolls, humid and lollipop-sticky with casual cruelty, demanding respect without earning it, quick to shoot you a smoldering look of scorn if you dare disagree with something they say. And more often than not, the things they say are highly inappropriate and offensive, uttered offhandedly in a mixed group, making everyone squirm uncomfortably and cough out short, fake laughter and hastily change the subject. And usually, they're oblivious to just how raunchy and gross they're being. At parties, they're drunk before they arrive, consume the rest of your beer and pass out on your couch, waking late and staggering off in a funky cloud of sour sleep-sweat without offering recompense. Their favorite word is "fuck." Their favorite man is yours. And you just know that there is no run-of-the-mill pussy in their panties - it's a goddamned Venus flytrap, smeared with honey and buzzing with flies.

I don't know if Courtney Love had anything to do with the 1994 death of her estranged husband Kurt Cobain. My personal opinion is "yeah, probably." I wouldn't put it past her. It's my personal opinion that she's skullfucked, her brain twisted by some unfortunate miscalculation of brain chemicals at birth, her narcissism and pathological whoriness made worse by the many long years she spent shoveling hardcore narcotics into every crevice of her body, like she was trying to fill the empty spaces with numbing lubricants. She's the only girl I can think of who seems to have aspired to be Nancy Spungen when she grew up. (Fun Fact: Love was in the film Sid & Nancy, and really did want the part of Nancy, but accepted a lesser role as Gretchen, one of Nancy's whorey junkie friends - wow, there's a stretch).

I don't know Courtney Love personally, so perhaps my assessment of her is unfair and without merit. But sorry, that's the impression she's always made on me. I mean, did you guys ever see her crashing the interview with Madonna and Kurt Loder in 95? God, I cringed for her. And she seemed not to have a single fucking clue of how nauseatingly awkward she was being.

Maybe I am being mean. And maybe she doesn't deserve it. But the point is: opinions are legal, regardless of what Love may think.
Sarah Scott as Courtney Love
Anyway, Courtney Love is not the primary focus of Soaked In Bleach, a 2015 docudrama of the events leading up to and immediately following the suicide of grunge icon Kurt Cobain. Not even Kurt Cobain is the focus here. Soaked In Bleach is the story of Tom Grant, a former Los Angeles detective turned private investigator with an exemplary resume and a spotless reputation. Grant was hired on Easter Sunday 1994 by Courtney Love to track down her missing husband. Grant - who was not only interviewed extensively for this film, shown in archive footage and heard on audio recordings made by him at the time of his investigation, but is also played by Daniel Roebuck in the dramatic recreations. And as we all know, Daniel Roebuck rules. His resemblance to Tom Grant is chilling...almost as chilling as Sarah Scott's portrayal of a babydoll-nightie wearing, knee-high stocking clad, chainsmoking Courtney Love, who rolls around on her messy bed, legs spread wide, while answering Grant's questions, seemingly convinced of her own untouchability and super grunge goddess status. Grant never seems anything but vaguely disgusted by her, but does his job regardless, doing as she asks and putting up with her last minute whims and delusional schemes with the patience of a fucking Saint.

His job was pretty much over only a week later when Cobain's body was discovered in the "greenhouse" - a shitty little disused room over the garage which nobody ever suggested be checked. But Grant did not give up so easily, carrying on his own investigation and drawing some very uncomfortable conclusions. Grant never met Cobain, but came to realize in the days and weeks and years that followed that Kurt was not the helpless, hopeless basket case that Courtney had made him out to be. Yes, Kurt was deeply troubled, very sick and drowning in his addictions, but no one - not one single friend or family member - believed he was ever suicidal. Crime scene photos, autopsy reports and the discovery of a cheat sheet that someone was using to mimic Kurt's handwriting, create enough reasonable doubt to justify a reopening of the case...something that the Seattle PD has yet to do.

Curioser and curioser, Courtney Love has been busy sending Cease & Desist letters to every movie theater who even thinks about showing this film on their big screen. Anyone and everyone on her payroll - lawyers, neighbors, babysitters, etc. - have shut the fuck up and dropped the fuck out. Mind you, it's been 21 years. Courtney Love is 51 now. Her life is half over, if she's lucky and the assload of raw sewage she's been pumping into her bloodstream + the thousands of scorching STDs she's surely contracted don't take their toll sooner rather than later. Sorry, was that mean? Tough titty. If she's innocent, she has nothing to fear and I'll fucking apologize and personally send her a muffin basket. If she's guilty, well, she had it coming didn't she?

This film is an opinion. You can agree with it or not. But you should definitely watch it, if only because Love doesn't want you to.

Monday, November 16, 2015

Scream Queens, Slime Fiends and Henry Fucking Rollins

So The Heart Of Dorkness episode 2 is up.
Except we're no longer calling it The Heart Of Dorkness.
From this point forward, we are Fear of a Dork Planet.
Because some assholes beat us to The Heart Of Dorkness.
Bastards.

Anyway, episode 2 of the podcast formerly known as The Heart Of Dorkness is up and ready to be listened to. It's a great waste of an hour, listening to Erik and I discuss such nerdy topics (with sickening enthusiasm - no wonder we're still single) as Godzilla, slime and vomit, cat puppets, Henry Rollins playing Bingo, vampire history lessons, multi-generational ear muffs, insane folk singers, hookers with penises and much, much more!

Also, we have a Facebook page now!

Go like us at Fear Of A Dork Planet and tell us what we should talk about on future shows, what mistakes we made on past ones, why we should give a shit what you think and how best to express your admiration for us.

Click HERE to listen to our bullshit!


Our next show will definitely have an MST3k vibe, just in time for Turkey Day! Well, actually, it'll be after Turkey Day but shut up, fuck you, do what we want. We may also be discussing Ash VS. The Evil Dead and the much anticipated upcoming Christmas movie Krampus...but we'll know for sure when we sit down and actually start doing it. We don't script this shit. We make it up as we go. So stay tuned, jerks.

Also, be sure to drinkyourOvaltine follow Erik's blog at The Novel Sound.

Crystalized: Part 2 - The Colossus of Rhodes

Blake Beland was living the dream.

Unfortunately, his "dream" was a stereotypical, testosterone-fueled delusion which had taken on viral attributes, infecting its host with a sudden surge of self-importance, entitlement and an overwhelming desire to inflate their biceps to diesel truck tire size. Other symptoms included the urge to force shirt collars into gravity defying angles up around ones ears, and a sudden predilection for styling gels which rendered ones hair indistinguishable from a porcupine on full defensive alert. Blake's biceps had not touched the sides of his torso for well over four years. His upper body was 60 pounds of pretentious muscle packed into a 40 pound capacity T-shirt. His six-pack was obscene, entering a room before he did, thrust out so far and proud that it ought to have been led by a team of white stallions. His face was arrogantly angular, hawkish, an attempt by the gods to physically personify the word "Duh!" He was the Colossus of Rhodes: muscular, majestic, dumber than a bucket full of rocks. When he spoke, it was in a patois of truncated slang that caused every spellchecker within a one hundred mile radius to curl up and die.

In the exclusive world of celebrity Boo Counters, the name Blake Beland was synonymous with "legend." He'd been the first to breach Haddonfield and live to tell the tale, emerging triumphant with his crew intact and seven plus hours of video footage that he'd pared down to a turbo charged 46 minute pilot entitled "The Night WE Came Home!!!" (and yes, he'd really used three exclamation points). He'd gone on to spend a successful night inside of the abandoned sorority house in upstate New York, the Valentine Bluffs coal mines (on Valentine's Day, of course) and a particularly exciting, fast paced all-nighter aboard Canadian Pacific Railway No. 1293, currently cordoned off in a train yard in Sugarcreek, Ohio. Now he was gunning for the Big Game. Having spent the entire summer addicted to a punishing cardio regime, Drake was out to conquer the most notorious Zone in the United States: Camp Crystal Lake, New Jersey. He had the latest in lightweight camera technology, a fresh haircut and the perfect bait: 17 year old Tiffannee Ainsworth - "Tiffy" to her friends - a caramel-haired, snub-nosed, blue eyed cheerleader, wholesomely cornfed and pure as milk straight from the pinkest udder of the most prized cow. Her Tumblr page was a cheery, diamond sparkly pink paradise of puppies, happy emoji, and her favorite Boo Counter: "Dreamy" Drake Beland.

The month of October had been devoted to research and set-up: the stakeout of the Zone that was Crystal Lake, the avoidance of surveillance devices and sensors, the mapping out of best points of entry and exits, the establishment of a crude home base which consisted of an oversized van driven by a slightly less muscly version of Drake. On the night before the final Friday the 13th of the year, phase one was launched. A particularly handsome couple (18+ only) had been obtained, had signed the waivers and had agreed to infiltrate the Zone for the sole purpose of engaging in premarital sex. Beer and marijuana was supplied by Blake and both he and his van driving protege dutifully sat at the bank of security cameras rigged up around the camp, watching with deadly seriousness as the couple smoked, drank and began to screw. No less than three cameras had been trained on the lake itself. At the first sign of awakening ripples on the usually glassy surface, the couple were alerted via walkie and summoned back to the van before the last strand of gelatinous seaweed could catch itself on the underbrush and slide off of the muck-drippy surfaces of the blocky boots which encased the rotting feet of one Jason Voorhees, Class A Threat, deemed indestructible in 1986, fully contained since 1989. Status: dormant unless provoked.

Now he was awake. Drake and his team were holding off full entry into the Zone until 3:26pm, one hour before official sundown. Tiffy, outfitted in sensible shoes and skintight jeans, was giggly with anticipation, eager for the night to be over so she could lose her valuable virginity to Drake. And eight hundred miles to the south, Republican Senator Ephraim Ainsworth awaited word from the special ops team deployed to fetch his stunningly stupid, rebellious daughter and return her safely home to Georgia before her latest stunt ruined his chances for reelection.

TO BE CONTINUED...

Saturday, November 14, 2015

The Heart of Dorkness

So for those of you who don't hang on every word I write and therefore may be totally unaware that I actually do speak, I have joined forces with The Novel Sound's Erik Carlson, a man who is one quarter semi-retired crimefighting super suave tiki lounge bartender, 30% Hunter S. Thompson and half a pound of pretentious twaddlecock. He's also the guy who turned into Sven Gustophson, Swedish sidekick to P. Jerusha Scattergood in my brand new and as yet unnamed serial which premiered yesterday (scroll down, fuckers).

Teamed up for what, you ask? Well, I'll tell you. Erik and I are The Heart Of Dorkness, a dynamic duo of nerditude, spouting irrelevant shit about stuff you don't care about. Erik has been podcasting for years. I'm new at it, and I think my voice sounds Retardosaurus Wrecks. But fuck it, it's fun and we're turning it into a regular thang!

Tomorrow we rise from the ashes of our hangovers to record episode 2, in which we will discuss Scream Queens, Henry Rollins and Godzilla VS. Hedorah. Because Erik is a massive Godzilla fan, and forced me to watch this movie which is apparently about the short-lived craze of Lovecraftian Disco and Godzilla's amazing ability to insult a half-melted Cthulhu with semaphore flag gestures. Next time, I pick the fucking movie.

Anyway, you should totally listen to The Heart Of Dorkness - Episode 1 if you haven't already.

I'll get you for this, Carlson.

Friday, November 13, 2015

Crystalized: Part 1 - Wormgirl

 The window had no curtains, nor blinds, allowing the moonlight to throw the skeletal shadows of tortured tree limbs across the floor, eternally reaching, grasping and finding no purchase...except for the small fact that the moon was a toenail sliver on the other side of the house and there were no trees to be seen from the attic window anyway, just telephone lines and empty fields. It wasn't very noirish, and P. Jerusha Scattergood didn't even have a neat bourbon in a short glass siting on the desk in front of her. Admittedly, the muted blue glow of the laptop in front of her gave her face a nice, ethereal cast - one might even say "spooky" - but as the face itself wasn't affixed to the underlying skull of either Humphrey Bogart or Joseph Cotton, it didn't really count.

She sighed and lifted her moodily smoldering cigarette to her lips, before remembering that she'd stopped smoking over a decade earlier. Annoyed now, she reached up to adjust the jaunty fedora on her head to a properly rackish angle, one that would cast an eye in an eternal shadow of sharp cynicism, and her fingers succeeded only in tugging her sock cap - once black, now pilled and ratty, a shapeless lump of deepest charcoal good only for attracting lint - down around her ears, snagging an earring in the process. A cool attempt to disentangle cheap metal from wool and hair resulted in a hopeless snarl of all three. A last irritated yank sent seed pearl and silver jump ring shrapnel flying. The sock cap dipsy-doodled off the side of her head and gave in to gravity. Her hair - flattened sweatily on top, exploding with autumnal chrysanthemum fury at the sides - balked at the attempt of her Vienna sausage fingers to go rototilling and set up an impenetrable Sleeping Beauty barrier. Her hand fell to her lap with a disgusted plop, taking half a dozen split-end strands of ketchupy hair with it.

"Fuck." It was the only response to such a ridiculous situation.

"You have hat hair." This from Gus, who never wasted time on salutations or small talk. The less syllables, the better - that was Gus's motto. Even his name had taken the shortest trajectory from point A to point B, starting out at Sven Gustophson and dead ending at Gus: hard, practical, an explosive exhale of a name which got right to the point. Gus was the living embodiment of a line of dialogue from 1984's Splash, in which a dubious security guard questions the authenticity of Tom Hanks claim to be Swedish. Gus was, indeed, dirty from the trip: brown eyed, dark haired, resembling a savage, bearlike, fur-draped, bellowing Viking in much the same way that a plate of clams casino can be mistaken for a Big Mac. What he lacked in Odinesque stature, he made up for with blunt honesty and slingshot humor. He wasn't smiling now, and she wondered if her hair really looked that bad.

"Fuckitybye." she snapped without malice, reaching for her half empty bottle of room temperature root beer. Not very noir perhaps, but less likely to screw up her regimen of antidepressant medication.

"Bad news?" His eyes indicated the phone, an antique landline that sat next to the laptop, plugged into the wall with a pigtail cord and everything. She did not own a cell phone and never would. For perhaps the third time in her life, she cursed the inability of a landline to vibrate rather than ring throughout the entire house, summoning the faithful like Quasi-fucking-Modo. She saw no point in dancing around the issue. She wasn't good at being a girl, and was - if anything - more blunt than Gus.

"Camp was breached. He's up and around."

It was Gus's turn to say fuck.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The Dika-Clover Act wasn't initiated until 1986, when it became apparent that the atrocities committed in places like Haddonfield, Illinois and Morristown, Tennessee were not isolated incidents but rather the beginnings of an extended outbreak: a paranormal plague of sorts. Quarantine Zones were quickly assembled at the first sign of a spree: entire towns cordoned off until the threat could be identified and contained. The removal of The Threat was an idea quickly discarded once it was established that The Threats could never truly be destroyed, possessed as they were of astonishing regenerative capabilities, up to and including full body reanimation.

Hence, it was decided that the easiest and most inexpensive course of action - and the one which would result in the fewest casualties - was to prevent the infiltration of outsiders. Most Threats were content to haunt their home bases and were not easily persuaded to leave. Cut off their victim supply and they went dormant, hibernating for years beneath lake waters, abandoned cabins or deserted boiler rooms. Quarantine Zones shrank with removal of bodies, relocation of residents and case studies, the noose tightening as areas of origin and preferred hunting grounds were identified and the Threats enclosed in the smallest possible areas. Better than the lion pit at the zoo, the Threats did not need to be fed or tended to and they attracted no gawkers. The fear was still too fresh and raw, the air still too innocent. Even the signs posted at the perimeters were, at first, totally unnecessary: "CAUTION: YOU ARE ENTERING A THREAT ZONE. No alcohol consumption, drug use or premarital sex OF ANY KIND permitted. Violators run the risk of severe injury, death or fines in excess of $100,000." Skeleton crews of armed guards - mostly older men with ED, hand-picked by MediCorp as they were least likely to rouse the Threats with wayward thoughts or casually discarded copies of Beaver Shot magazine - rotated shifts at checkpoints located respectable distances from Ground Zero. No one violated the rules. Very few wanted to, and those that did were considered as unbalanced as the Threats themselves and weren't very much mourned when they turned up machete'd in half and left for the insects.

By the late 90s, most of the Threats had fallen off the radar, forgotten by the world as they slept and dreamed of blood and were replaced by smaller, less intimidating Threats who were gone almost before they even arrived, deemed silly and clownish by comparison. Dolls, puppets, leprechauns...none of them had the staying power of the original Threats, and their inability to inspire any real sense of fear diminished them before a Quarantine Zone could even be discussed.

But with the dawn of the new millenium came a new age of instant gratification, high speed internet and the hot glow of viral fame, the freakier the better. The easier it became to gain access to the forbidden and the profane, the more popular corruption became. Nothing was off-limits anymore, and the more depraved you were, the lower the depths to which you were willing to sink for attention, the more famous you became. It wasn't enough to simply Twerk anymore: you had to have your own personal YouTube channel dedicated to naked, anal-bleached midgets with Kardashian-plus sized asses rubbing up against baboons with buttered buttcheeks. Ghost hunting had given way to full contact celebrity exorcisms on a live feed with running commentary by your choice of televangelist. And legend tripping wasn't considered worth the risk unless you were willing to breach a Zone with a camcorder in hand and star in your own personal snuff film with the Threat of your choice.

This new generation of Coup Counters (affectionately referred to as Boo Counters by their online fans) compared the thrill of facing a Threat and living to tell the tale with those of skydivers and bungee jumpers of decades past. Online tutorials could be found on how best to survive an interaction with any Threat, what precautions you should take, what gear to invest in and which weapons would best slow your chosen Threat (because nothing would kill them permanently) and make your escape that much easier. Virginity amongst teenage girls skyrocketed as they were the most likely to survive an encounter, and the competition amongst them to be the one chosen to accompany any of the half dozen Boo's who had achieved a measure of dubious internet fame was fierce. Brunettes were preferred over blondes, but faces still had to be blemish free, bodies tight and toned, teeth perfect and eyesight 20/20. Hopeful Final Girl finalists of the 21st century had apparently forgotten that Sally Hardesty had spent the last 40 years raving in a Texas sanitarium, or that Lori Strode had disappeared right off the map shortly after Haddonfield had been sectored off. They had cyber stars in their eyes, believing that their virginity was an impenetrable shield and their youth a guarantee of immortality. They abstained from sex and signed the waivers and disappeared into the night. Some of them returned and celebrated their success with cocaine orgies in Vegas, married basketball stars and had showy, glitzy divorces. Some didn't come back, and graphic footage of their untimely demises garnered over 5 million hits within hours of being uploaded. Either way, fame was achieved, and that was all that mattered.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The drive from Providence, Rhode Island to northern New Jersey was four hours on a good day. Even had they set out instantly, it would have been dawn by the time they arrived and a total waste of time. It was decided that the best course of action would be to sleep in, drive up and get started at sundown, rested and energized by a couple of good, hot meals at some All American greasy spoons along the way. Gus drove. Jerusha stared out the window, watching the rain rudely ptoo spitballs against the window.

"So do I finally get to hear the story?" Gus asked, voice neutral, eyes on the road. The sky was soggy and sullen, swaying over the car like the pregnant belly of a half dead spider, ready to burst at any moment.

She sighed. She'd promised to tell him the tale on the day that necessitated its telling, thinking surely that day would never come. Now it was here, and her reluctance to share it was borne not of shame or fear, but of embarrassment. With such a harrowing tale in her past, she should have grown up to be glamorous, sophisticated and secure. But she was exactly the same: awkward, sullen, just a little taller. There was nothing for it, but she sighed again anyway.

"I was a wormgirl." she said, and the sound of her voice in the car was so banal and flat that it struck her as ridiculous.

"What the hell is a wormgirl?" he asked, still watching the road, his voice betraying nothing.

"A girl who sells worms." she said. "Some little girls had lemonade stands. I sold worms to people on their way to the lake. For fishing. Dig them up early in the morning and carry them in those little plastic buckets to the side of the road. Twenty five cents a worm, or five for a dollar. Plop them into Dixie cups and hand them over."

"Was it a lucrative career?" he asked, and the subtle lilt in his voice was audible only after years of friendship and teamwork. She cocked an eyebrow at him.

"Get stuffed." And continued her tale.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

She'd been eight, and maybe she'd been seven. Surely not nine, not yet. A toad of a girl with grubby fingers and an itchy nose. Everything about her screamed "backwoods trailer trash!" although she'd been born in a proper hospital and raised in a populous city. It was summer, and dad had thought the country air would do her good. Fat lot of good it was doing him, beer-dozing in front of the TV all day, snoring through Mike Douglas and Days Of Our Lives with the screen door cocked open just enough to let the flies in. The rented rust bucket trailer stank of well water and dog. They didn't have a dog. Jerusha hadn't wanted one. She could barely take care of her dad.

There hadn't been any other kids to play with. Just as well. Most kids took one look at Jerusha and pretended they hadn't. Tomato-haired, whiter than bleached milk, one eye blue as Windex, its next door neighbor green as astroturf, jarring and immediately noticeable in a face so shockingly pale and unsmiling. "As pretty as a cockroach on a birthday cake" her dad had once told her with a jovial wink.

So no alarm bells had gone off when The Man had stopped to talk to her one day and had lingered. No red flags had been raised when he bought her worms and offered her an ice cream from the stand down the road. Surely a hardworking little girl deserved an ice cream break on such a hot, sunny day? Surely they were friends, out in the open, during the day, where anyone could see them? And it was only a short car ride after all. She'd be back home before the crickets started to sing. And the short car ride had turned into a long one, and the ice cream stand had faded into the background unvisited, and the worms had dried out and thrashed and lay still on the dashboard and she hadn't cried, hadn't said a word, even when The Man stopped the car deep in the trees and told her exactly what he was going to do to her. This is what happened to awkward, mismatched wormgirls with no friends and no mothers, and she realized that part of her had always been waiting for such a thing to happen someday. The world didn't cater to clumsy girls with stuffy names. She was the lame fawn left behind by the herd, the faulty transplant rejected by the host. She was about to be flushed from the worlds system like so much useless waste down the intestinal tract of life.

It was dark by the time they'd stopped, him rambling, her not hearing, silent and already calmed by the thought of her imminent death, staring at the passage of tree roots and rotting leaves beneath her sneakers. Indeed, they stopped so suddenly she almost fell over. When she didn't, he grabbed her bony shoulder and shoved her to her knees, already skinned and scabbed over and used to unkind surfaces. He was still rambling conversationally, vomiting a plethora of filth and porn that she normally might have stored away for future use back when the future still existed. That had been hours ago, when the sun had still been up and dripping blood-orange bright, clashing with her hair something awful. Now it was full dark, no stars, and no birds sang.

He was still talking when it happened, still tugging at his stubborn belt buckle when his head suddenly popped up off his neck like a feisty champagne cork and did a couple of somersaults in midair before landing with a crackling thud on the leaf-carpeted earth at her feet. She'd stared at it for a few seconds, wondering what the joke was, for it had been rather comical. She thought briefly of her Hoppity Hop, bouncing merrily down the sidewalk. His head had been rather like that for a second, spinning as cheerily as a pinwheel in the wind.

She looked back up at his body, several inches shorter now without its head. His hands were still on his belt buckle, yanking it spasmodically tighter before falling back at his sides. His neck stump was fountaining gore and a warm patter of scarlet rain freckled her face and splashed her hair, where it blended perfectly with her tangled, uncombed brambles. His legs did a quick, jittery little dance in place and then buckled. He didn't so much fall as he folded in on himself, going down with a flat smack that reminded her of the closet in their trailer where the ironing board was kept, and which smacked out and open with a no-nonsense, dutiful clap when you opened the door too fast and too hard. She watched him fall and didn't scream. His body jerked a few times and lay still. She blinked, then looked up at the man who was standing where seconds before her would be rapist and reaper had stood, occupying his space with authority and grim finality.

She thought of him as a man, because his presence was Alpha Male and brute force. But man wasn't the word she would have chosen if there had been a choice to be had. He was more machine; flesh and bone to be sure, but filled with a solid darkness that she knew wouldn't bleed if breached. He reeked of pond rot and algae. His boots were slick with it, black mirrors melting with smoldering tar-pit rage. He was meat wrapped tight as a butcher's pride, his drab, colorless clothes not so much concealing him as becoming one with what had once existed beneath, fusing and filling and spoiling again, an industrial cocoon stubbornly clung to. The butterfly had chosen suicide and left behind the ultimate caterpillar, monstrous with decay.

She looked up, and looked up and looked up. There was no end to him until suddenly there was, up beyond the barrier of clenched fists and crude axe, the wooden broomhandle splintered now, the iron blade still dripping fresh. Older smears and stains - how old? hours? minutes? - testified to the weapon's repeated use and imminent retirement. The chest heaved and fell in a mockery of life, and surely nothing but maggoty lake water sloshed within. The head had been downturned, watching with a child's curiosity as the last jerks and tremors subsided and the heap of bloody organ meat - once a rather prolific, if transient, serial killer - expired. It was anticlimactic, really. The worms on the dashboard had given a better performance.

His - its - face snapped up and pointed at her. She would have said that he was looking directly at her, but she saw no eyes within the deeply shadowed sockets of the mask he wore, a bone white shield nearly as white as her own face, poked through with symmetrical holes that would have allowed breath to be taken had any breath been drawn. Decorative red slashes between the eyebrows and down the cheekbones like warpaint.

Perhaps because she had already accepted her imminent death, she felt no fear. Everything in her was calm as lake waters. The girl-screamy panic gene had skipped her over at birth and left her instead with stoic resignation bordering on complete indifference. She stared back, mouth slightly open, eyes maybe wider than usual, but utterly without fear. The fight or flight response had downshifted into the rarely used option of who gives a shit? And finally, because the air between them felt expectant and unfinished, the manners she'd been taught at some point in her otherwise neglected childhood went on autopilot.

"Thank you." she said. Her voice sounded as ridiculous to her own ears then as it would some 30+ years later in a car driven by a person she hadn't met yet.

There was no reply, just a few heavy seconds of silence that felt like dark revelation. Then he - it - straightened up and walked away, clomping through the mud two steps, four and five, finally stopping an inch from the bloody bouncy ball that had been a breathing, talking head just a few minutes ago. He stared down at it, head cocked, and she didn't even think twice. She wanted to see it too. He'd dropped his axe when he'd walked away, his nights work complete. She turned and clomped up beside him, dropping into a squat at his feet. The head didn't look real anymore. Its eyes were clouded over, the mouth only slightly surprised. It looked like a defective department store dummy and she stood back up, unimpressed. As she straightened, he see-sawed beside her in perfect unison, bending to dig his dirty gloved fingers into the sweaty strings of hair that steamed atop the dead mans head. The sound it made when he picked it up was like wet cellophane. The blood dripping from the ragged stump had slowed into a pancake syrup consistency, not scary at all.

He'd picked the severed head up with his left hand. His empty right hand hung at eye level, and it seemed like the only sensible thing to insert her fingers, spiderlike, into the dirty, well-worn glove, trusting the oiled suede fingers to close around hers without breaking, to lead her to safety without detour. He snapped his head in her direction, trophy still held aloft, his hand unresponsive in hers.

"What are you gonna do with it?" she asked. He looked at her for two seconds, turned back to the head, looked at her again. His arm lowered slowly back to his side and his masked face pivoted with security camera precision, pointing deep into the woods towards an unknown, unseen destination. It would be a long walk. She saw it in his shoulders, the way they sagged just slightly, the way his chin fell to point at his solar plexus.

"Is it far?" she asked, meaning his home. Because she knew there had to be one, somewhere in the dark woods. This time he did not turn in response to her voice, simply bent his knees, disengaging his fingers from hers and circling an arm around her tiny little girl butt, where it rested comfortably in the crook of his elbow. Then he was off, looking straight ahead, legs striding forward unerringly through the woods, never tripping, never straying. She didn't ask where they were going, didn't ask to be put down, didn't cry. She didn't care. She didn't even mind that he smelled like fish guts and pond scum. She knew that he knew where he was going, and whatever waited for her there couldn't possibly be any worse than what she'd left behind.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

TO BE CONTINUED.

Sunday, November 8, 2015

Gunnar Hansen (March 4, 1947 – November 7, 2015)

It's oh so quiet
Shh shh
It's oh so still
Shh shh
You're all alone
Shh shh
And so peaceful until

You fall in love
Zing boom
The sky up above
Zing boom
Is caving in
Wow bam
You've never been so nuts about a guy
You want to laugh you want to cry
You cross your heart and hope to die
 
'Til it's over and then
Shh shh
It's nice and quiet
Shh shh
But soon again
Shh shh
Starts another big riot

You blow a fuse
Zing boom
The devil cuts loose
Zing boom
So what's the use
Wow bam
Of falling in love

It's oh so quiet
It's oh so still
You're all alone
And so peaceful until

You ring the bell
Bim bam
You shout and you yell
Hi ho ho
You broke the spell
Gee, this is swell you almost have a fit
This guy is "gorge" and I got hit
There's no mistake this is it

'Til it's over and then
It's nice and quiet
Shh shh
But soon again
Shh shh
Starts another big riot

You blow a fuse
Zing boom


The devil cuts loose
Zing boom
What's the use
Wow bam
Of falling in love

The sky caves in
The devil cuts loose
You blow blow blow blow your fuse
When you've fallen in love

Shh.



Friday, November 6, 2015

Your Ghost Show Sucks


Thank god this weekend witnesses the return of The Dead Files, one of the few remaining Reality TV paranormal ghost hunting shows that doesn't irritate the fuck out of me. Yes, ghost hunting shows are my weakness. And before you judge me, know this: I have never seen a single episode of Honey Boo Boo, Sister Wives or anything starring anyone whose surname is Kardashian. So eat me, I will watch my ghost hunting shows with a clear conscience.

And I watch every single ghost hunting show that pops up. I'm like a necrophiliac at an eighty car interstate pile up: I can't not look. Got a ghost show? I got a lady boner. Gimme! Bust out those EVPs and MelMeters and full spectrum cameras and show me the good stuff, baby. I'll rub one out right on your cold spot and still take every last inch of your EM Pump.

But sadly, many of my long standing relationships with ghost hunting shows have soured. I live about a twenty minute drive away from the TAPS headquarters and I don't care. I used to be the biggest, gooberiest, most devoted fan of Ghost Hunters for roughly the first seven seasons, and then...I don't know, I just woke up one morning and realized it was over. It was the accumulation of little things over the years: Jason's assholishness, Steve's smugness, Dustin's hair, Brian Harnois' face. For a while I glommed onto GHI (Ghost Hunters International) but even though Barry Fitzgerald remains the only likable investigator left on the ever changing team, interest simply waned. The day that Jay and Grant went snowmobiling off into the great unknown, leaving the rest of the crew behind to investigate their newly purchased bed and breakfast, I checked out. I just didn't care anymore. It was time to move on.

That's right, look ashamed.
For a while (several years, in fact) Ghost Adventures served as an enthusiastic replacement for the tired TAPS crew. The GA team were young, rude and eager. Zak the alpha male, Aaron the goofball, Nick the sensitive one. Their exuberance was infectious and fun, they didn't take themselves too seriously, they were just three dorks with night vision cameras, poking the darkness with a stick. But then... okay, I'll admit that something inside of me curled up and died when I found out that Zak was dating Christine Dolce aka "ForBiddeN." Not because I wanted him for myself - he always seemed too Popped Collar Douchey to take seriously - but because "ForBiddeN" seems so...scorbutic? Is that the word I want? Then Zak's initial douchiness - which seemed harmless at first - started getting bigger than his biceps. Suddenly, Vince Neil was on the show and I was recoiling, wondering how the hell they could differentiate between an EVP and the sounds of millions of pubic lice rubbing their forearms together in the crotch of Neil's pants. The sharper Zak's hair got, the smaller his brain became. Where once he had been respectful of the dead, he was now a full blown ghost whore. A religious leader of the community tells him not to provoke the dead or be disrespectful of their resting place(s)? Yeah. Wait until that person turns their back and cue Zak, spinning his camera around for his close-up: *doodly-doodly-doop* "Okay guys, we're gonna provoke the dead and/or be disrespectful of their resting place(s)! TONIGHT!" *insert frat boy whoop here*

Look, this show isn't supposed to be about you, or your hair, or your sky high testosterone levels. It's supposed to be about life after death and any evidence which may or may not prove its existence. Okay? Yeesh. Your mothers ought to smack your faces.

And now here come The Demon Files, starring Ralph Sarchie, retired NYPD with the Noo Yawk accent and the fuggedabowtid 'tude, callin' out the demons like the fawkin' mooks dey aah. Sadly, Ralph is not played by Eric Bana this time around. Sarchie, a devout Catholic (or Catlick, if we want to stick with the New York theme) doesn't believe in ghosts. In Catholic ideology, there are no ghosts, only angels and demons. Dead people either go to Heaven or Hell; they don't hang around on this plane. If you gotta problem in your house - if you're hearing knocks or getting scratched or hearing voices in the dead of night - you got demons. Period. And there's only one kind of demon in Sarchie's world: Satanic ones.

I got about halfway through the pilot episode and shut it off in disgust. I didn't like Sarchie's approach, which in his own words is coming in and "giving the finger" to the devil. Hey man, if you want to do that in your own house, fine. But going in and talking shit to already cranky ethereal beings is like having an exterminator come into your home to deal with the cockroach infestation, and instead of spraying insecticide, the asshole smears sheet cake all over the walls and varnishes the floors with maple syrup. And then he leaves. And you're stuck with the mess. And the roaches, who are now having super cosmic funky boogie down block orgies in every room of your home, laughing while they reproduce, build condos in your dirty panties and eat your pets.

This poster hangs in my house. Never been possessed. Not even once.
The moment I turned the show off was the moment that Sarchie asked - in a very interrogative manner - a clearly frightened teenage girl if she'd given herself to Satan. What?! Just...WHAT?! Wait, she hung an anarchy symbol on her wall so she's in league with the devil? Seriously? Dude, I have a Guy Fawkes mask hanging on my bedroom wall, does that mean I'm blowing Beelzebub? I also have a full sized poster of Kjetil Haraldstad in full corpse paint on another wall, does that mean I've basically sent out an Open House invite to the Prince Of Darkness to perform invasive anal on me in my sleep? Ohmygod I collect skulls - I'm practically asking to be gang banged by a herd of bipedal porno porky swine men with seventeen inch cocks that spew lava. Get a grip man, it's 2015. And the Torquemada Technique went the way of dinosaur sometime ago. I know you're bound by your faith to accept and believe a pre-determined set of guidelines, but the simple fact of the matter is: you don't know for certain. You are assuming that every infestation is a demonic one, in which case may I suggest that you buddy up with Lorraine Warren? But you don't know for sure that the souls of dead people don't hang around after the body wears out. God gave us free will - pretty sure that agreement doesn't expire simply because the vehicle has gone kaput. To summarize: lighten up, ya mook.

So yeah, I'll stick with The Dead Files, with foul-mouthed Amy and her crazy face, and Steve with his doggie head tilts and mispronunciation of "liberry." No EVPs, no Ovilus, nothing but Amy's impressions and a police sketch artist. Maybe it's all bullshit, but the forthright manner in which the evidence is presented is never embellished, garishly spotlit or jazzed up with special effects. Very, very few famously haunted places are ever investigated, because Amy doesn't approve of whoring the dead. She empathizes with Lizzie Borden and slammed that cocky fuckloaf who turned Wolfe Manor into a paranormal petting zoo, putting the memories of the tormented and insane dead on display for the enjoyment of the living. Shows like The Demon Files remind me of those assholes who go to zoos and shoot the lions and tigers with rocks launched from slingshots and then have the nerve to be shocked when the goddamned righteously pissed off animal lunges out of its enclosure and eats their fucking face off.

Seriously, how would you like it if a group of douchey tools barged into your house in the middle of the night and started asking you stupid questions and filming you? And why is it any less rude when you're dead?


Tuesday, November 3, 2015

Goat Haute

It has recently been brought to my attention that the appalling lack of goats to be found in horror movies nowadays is appalling. Appallingly so, to be frank. It is as if there exists within Hollywood's infrastructure a deep seated anti-goatism agenda at work, insidiously planting the seeds of goat prejudice in our collective psyches. It's Fear of a Horned Goat Planet all up in here, people. And thankfully, there does exist within our midst a small group of filmmakers unafraid to embrace the goat.

Actually this is all bullshit. I got home late last night, had a beer and asked my friend Erik (1/2 of the amazing podcasting team henceforth to be known as The Heart Of Dorkness) what the hell my next article should be about. He said "goats" thinking I wouldn't do it, I said "okay" because I'm stupid like that, and here we are: Goats In Horror Movies.

The Lords Of Salem (2012)  

Goat Count: At least 3.
Goat Rating: 3 out of 5 goats.

Herman Jackson: Can you explain the philosophy behind your music?
Count Gorgann: Our philosophy is to expose the lies of the Christian whores and Jesus, the true bringer of death.
Count Gorgann: We are not the crying sheep of God, we are the mighty goat.
Heidi Hawthorne: Why the goat? Why not the pig?
Count Gorgann: The goat has free will and for that reason he will always be punished by the oppressor, God. God must die. God is the unholy pig. We serve the butcher.
Herman Jackson: OK..



Drag Me To Hell (2009)

Goat Count: One.
Goat Rating: 2 out of 5 goats

Goat: [bleating] You tricked me, you black-hearted who-o-o-o-o-ore! You b-i-i-i-i-i-i-i-itch!

God I hated this movie. But it's got a possessed goat bleating obscenities in it so points awarded.














The Witch (2016)
Goat Count: Looks like just one, but who knows?
Goat Rating: Hasn't been released yet, but the trailer looks AWESOME!!!









Shub-Niggurath
The Black Goat of the Wood with a Thousand Young

No, this isn't a movie. It's a creation of H.P. Lovecraft's. But it's popped up in several movies, either as a direct reference or an allusion, never seen because you know how those Lovecraft monsters are - all so mind-blowingly deformed and cyclopeanistically freaky that they drive you all batshit crazy even if you only glimpse them once from a football field away, squinting because you left your glasses on the nighstand.















The Devil's Rain (1975)

Hmm, let's see, how can we make Ernest Borgnine look even creepier than he usually does? Oh, I know! Let's turn him into a man-goat! Give him a Satanic little soul patch, throw in some Shatner and Travolta action. BAM! The Yuck Factor just shot through the fucking goat ceiling.



Krampus (2015)

Coming This Christmas: a really big ass goat demon with ginormous horns and most likely a bodily funk not unlike a rank mixture of Brussels sprouts and hot dog water.






Did I miss any?

Ooh! Oooh! My friend Farah of Mantid Magazine just clued me into this one - The Return of the Sorcerer, an episode of Night Gallery, starring this goat as Vincent Price's dad! Wait, what?
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