Sunday, May 24, 2015

The Best Witch Movies You've Never Seen

Lords Of Salem
 Is it a perfect film? No. Has Sheri Moon Zombie finally learned how to act? No. Has Rob Zombie reprieved himself after the dismal flopping failures of Halloween and Halloween 2? That's debatable. But I liked Lords Of Salem. Sue me. I liked the Kubrick inspired dream sequences, the reckless decor of Heidi's apartment, the autumnal beauty of Salem, Massachusetts, a town I have been to and love deeply. I don't believe for one single second that Heidi's lame radio show would be the hit of the Eastern Seaboard, nor is it true that there are no female Rush fans. And goddamn it, no witches were burned at the stake in Salem. But fuck it, I loved the atmosphere of this film, the raggedy, animal-hide draped Meg Foster and the eerie bone orchestra dirge which becomes the axis around which the entire film revolves.

City of the Dead (Horror Hotel)

I can't believe more people haven't seen/heard about this film. If not for seminal heavy metal band Iron Maiden and their video for the song "Bring Your Daughter to the Slaughter" this film, co-starring a then-not-quite-famous-yet Christopher Lee, might have slipped into obscurity forever. The story seems somewhat silly and implausible in places. There's enough fog, creepy trees, neglected graveyards and weirdo people wandering around this black and white film to make one perhaps wonder why anyone with half a brain would want to stay in that town, and the entire sinister plan could have easily been foiled by one dyslexic individual, but no matter. It's a lovely little film, criminally overlooked for too long.

Viy

Oh how I love this goofy little Russian gem from the 60s. How it escaped being shown on MST3K in between The Magic Voyage of Sinbad and The Day the Earth Froze is beyond me. When a drunken, philandering novice monk runs afoul of a withered wicked witch, he frantically beats her to death...only to discover that she is, in fact, the beautiful young daughter of a wealthy merchant. He is assigned to preside over her funeral, but she refuses to remain dead and is pretty pissed off at him to boot. For three nights, she relentlessly torments the monk, weeping blood tears for her early demise, air-surfing on her coffin and driving the drunken dipshit to the brink of insanity. But can he summon the faith required to survive an encounter with the dread demon VIY?

Left Bank

Is this a witch movie? Yeah, I'm pretty sure it is. I think. Sorta kinda in a way, I guess. No, it is. An unhappy young woman moves in with her new boyfriend in an attempt to escape her shitty parents and the injury which has cut her career as a professional runner short, only to discover that a young woman went missing from her boyfriends lofty high rise. His friends are eerie and there's a spooky pit in the basement. Also, her boyfriend seems to be several hundred years old. What the fuck is going on? Nothing you're expecting. This is one of the very rare films whose ending caught me totally off guard.
Curse of the Crimson Altar

Why would anyone in their right mind pass up an opportunity to see Barbara Steele, skin painted blue/green and sporting a crown of golden horns, presiding over a dungeon full of young, leather clad, goat masked, muscular, oiled up young men wielding whips? This is a fun, kinky little gogo party of a horror film and I liked it. I've never understood the bad reviews this one has garnered over the years. It's clever, wickedly funny and refuses to take itself too seriously. Oh, and along with Babs, both Boris Karloff and Christopher Lee are in it. therefore, it is physically impossible for this film to suck. So there.
Kill List

A semi-retired hitman is bullied back to work by his nagging wife. Seems like a pretty straightforward gangster film as the haunted hitman reluctantly picks up his gun again and sets out to blow a few fuckers away in order to pad his seriously deflated bank account. But why do his victims seem to recognize him? Why are they happy to be killed by him? Who are the weird naked people running around in the fields at night wearing masks made of straw? What the fuck is going on? Like Left Bank, this film builds up slowly and relentlessly, culminating in a totally unexpected climax that left me reeling.


Pacione Pathology

I was going to write a blog post about my friend Ramsey Campbell this morning, a man who had the utter audacity to complain about and report every post made by a cyber psychopath named Nickolas Pacione. You see, dear Mr. Campbell just won't drop the subject and move on to post happy, banal status updates about the weather and what he had for lunch last Wednesday. It seems that his annoying habit of tracking and reporting the various delusional accusations and violent threats made by Mr. Pacione are just, well...so icky, and are making the world less pretty for people who have never been viciously harassed and who - because they have never experienced what it is to be plagued by a predator day in and day out, a predator who is not satisfied focusing their demented rage on just you alone but also feels it necessary to target your wife, children, extended family members and fucking goldfish - believe that they know best how to deal with such a situation. Their advice? Just ignore the salivating cretin who looms like a black fungoid cancer in the dampest corner of the basement. Don't tell everyone about it. Don't give any other victims a channel for them to access, where they may feel safe knowing they are not alone. Heaven forbid we actually keep tabs on potentially dangerous lunatics. After all, it's not as though it's at all recommended by police to do such a thing...

Make reports to the police, even if you don’t prosecute. This will provide documentation for pursuing criminal charges later if the harassment and stalking continue. There must be two police reports before stalking charges can be filed. Record your telephone conversations. Keep all harassing messages left on your answering machine. Send a clear message that the relationship is over. Do not be even the slightest bit ambivalent. The type of person who is obsessive with another will take an inch and make it into a mile. Document, document, document everything. Keep all letters or notes sent. Keep a record or diary of these events.

Yes, I was going to post a long, ranty and expletive filled blog entry about the insanity of Mr. Pacione, but Brian Keene beat me to it.


I suggest you all go read it before you even think about offering advice to someone about whose situation and experiences you know absolutely nothing.

Friday, May 22, 2015

The Best Vampire Films You've Never Seen

Ask roughly 75% of the horror movie watching population "Hey, what's your favorite vampire movie? What, in your opinion, is the best film ever made about bloodsucking parasitic reanimated cadavers upon whom death bestows an infinite knowledge of poetry and impeccable taste in clothes?" Most people will give bland vanilla answers: "Interview With The Vampire. Bram Stoker's Dracula. godforbidfucking Twilight." sigh

No. no No NO. You are doing it WRONG. I admit, there were elements in both Dracula and Interview that I enjoyed (I'd frankly rather pan fry my own clit than watch Twilight, however) but these are not staples of the horror genre. They're more like those little nonpareils sprinkled on top of cupcakes: they're good, but they're not the reason you bought the fucking cupcake.

Look, just give me the genre and let me show you how to do it properly.



Vampyr, Der Traum des Allan Grey

Made in 1932, Vampyr is perhaps the first silent movie with sound. Wait, what? No really. This is what I imagine an opium addict's dreamlife to look like: eerie, gauzy, a hushed and solemn boat ride drifting leisurely down the river Styx while the tortures of the damned unfold upon the banks before you. Loosely based on Camilla, Vampyr is a shamefully neglected treasure.

Blood on the Highway

Blood on the Highway is a refreshing transfusion, pure type A positive all the way. Boasting the best in bathroom humor and weaving a complex and colorful tapestry of inventive expletives, Highway is a nonstop ride on a runaway tractor through White Trash USA, one that not only successfully combines blood and boobs but offers some clever and scathing insights into the Wal-Mart mindset as well.
Byzantium

200 year old vampire whore Clara and her virginal vampire daughter Eleanor shack up with a lonely old git who inherited The Byzantium, a broken down hotel which Clara quickly transforms into a brothel. In the meantime, Eleanor falls in love with a terminally ill boy whose mom is played by Liz from Shaun of the Dead, and both women are being hunted by Republicans an oily vampire mafia who have decided that only men get to be vampires.

Directed by Neil Jordan, whose previous films – Interview With The Vampire & The Company of Wolves – firmly established him as the gothic fairy tale master, even if I still haven’t forgiven him for the green-apple splatter train wreck that was In Dreams.

Midnight Son

Plot: Unsparkly vampire boy becomes a blood bottom-feeder in downtown L.A.
Special Guest Star(s): Larry Cedar and That Guy I always confuse with That Other Guy who was in Blade Runner.
Nudity-fu: Yeah, pretty sure the girl gets all the way naked…or else NatGeo slipped in some footage of a walking stick mating session.
Glitter Factor: Only thing glittering in this flick is the coke on Mary’s nostrils.
Best Scene: Nosebleed Super Orgasm.
Best Line of Dialogue: “Wanna Blow Pop?”

Valerie & Her Week of Wonders

Valerie, much like Rosaline in Neil Jordan’s 1984 menstrual-horror film The Company Of Wolves, is taking that mystical journey from childhood to adultery…uh, I mean adulthood. It’s a darkly erotic, trippy fantasy world through which Valerie floats dreamily, draped in pretty lace dresses, cuddling with doves and swimming in lily pad strewn ponds amid the flowery fields.

But this isn’t a 70s Tampax commercial by any means. When it gets dark, it gets fucking dark, and poor virginal Valerie finds herself evading the clutches of a horny priest, drinking chicken blood, getting trapped in an underground tomb and being burned at the stake before all is said and done. Oh, and there are vampires. The end.
  
Subspecies

Filmed on location in Romania during what looks like a crisp autumn season, Subspecies is a stunningly beautiful film with a great score to match! Okay so the leads are a little stiff and Angus Scrimm is killed off before the opening credits, but the local supporting cast is wonderful, and gets to show off their colorful traditions during a cemetery celebration scene. Andres Hove as the disgusting Radu steals the whole movie as the shar pei-faced baddie with the overactive saliva glands. You end up rooting for him, as his personality and devotion to the role blows everyone else off the screen.

Girls in lingerie, swords fights, plenty of blood and some really cool claymation monsters make Subspecies a winner, sort of a weird combination of a Hammer flick and an old Ray Harryhausen vehicle.

Frostbitten

If you were to combine the frozen isolation of 30 Days Of Night with the colorful camera work of Russia’s Night Watch series, throw in a Beastie Boys video and a hit of acid and then shake well, the result might look a lot like this weirdass Swedish vampire flick. You think it’s going to be a pretty straightforward vampire film, maybe the Scandinavian version of The Lost Boys (and indeed, that film is referenced during the course of this one) but Frostbitten absolutely refuses to conform to any preconceived notions. Part Breakfast Club, part Dead Alive, Frostbitten is just batshit crazy. Literally!

Best Line: "Stop throwing gnomes at me!"


What We Do in the Shadows

As previously stated in my full length review of this Kiwi mockumentary: HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA!

Rosencrantz & Guildenstern Are Undead

Fear not, horror lovers. An appreciation for the works of William Shakespeare is not required in order to enjoy this film. I’m not saying that a rudimentary grasp of the Bard’s works (especially Hamlet) wouldn’t come in handy and make the multitude of in-jokes even funnier. Being an acquaintance of Stoppard definitely wouldn’t hurt either. But neither, as previously stated, is required. This is a vampire satire and, as such, has all of the fangs, blood and bare boobs one could possibly hope for.




Upcoming categories: zombies, witches, ghosts, demons, serial killers, werewolves, aliens and whatever the hell else I can think of.

Wednesday, May 20, 2015

Graceful Dive

Outside, it was raining and had been forever. But inside, it was as blue and red as a Nyquil dream, smoke coiling slow as ghost snakes up through the spotlights on the stage. This Mortal Coil, Bauhaus and Dead Can Dance bled from hidden speakers and there I stood with all the other fuckers, up against the railing that separates the stage from the audience. I was one of three girls in the front row. They were giggly, slightly inebriated, sparkling with enthusiasm. I stood and stared at the floor where my one empty beer can sat at my feet. It occurred to me that - in the eyes of the band I was about to watch - I was the beer can: cheap, disposable, good for a buzz that would last perhaps an hour, then quickly discarded and forgotten, identical to a million others cast aside before me.

The stage lights went on without fanfare, just suddenly turning the dark, sodden, beer-heavy air around us into golden champagne, as if a thousand angels had suddenly thrown open the doors to Heaven and cast their halos at our feet to light the way. At the first sign of light, the dull murmur around me abruptly fell silent and stayed that way for a whole quarter of a second. Then, eruption. Vocalized love, mere words worthless and utterly incapable of conveying the myriad emotions within us: adoration, recognition, justification, and deep, sincere gratitude. I wondered, as I watched them walk out onto the stage one by one, if they can feel it physically. It is warm? Bright? More pleasurable than the purest narcotic crystalline high? More exhilarating than the profoundest orgasm ever experienced in your otherwise humdrum sex life? How does it feel to stand up there, listening to hundreds of total strangers scream your name, knowing their love is all-consuming, unconditional, everlasting? Is it addictive? Is it frightening, never knowing who sincerely cares for you and who simply wants to touch the golden idol, hoping its magic will rub off? Or is it actually the loneliest thing in creation, knowing that everyone loves who you are on stage, but that no one really knows you at all?

The Firebrand

The first one was a torch, crowned with flame. He never burned, only smoldered. But when you're a fourteen year old girl left to freeze to death in the barren wasteland of unpopularity, you will jump into a bonfire without ever reasoning that a single match would have been sufficient. Twenty years went by, and he was the first one to emerge from that ethereal plane where celebrities exist. I thought he was molten bronze, never for a single second assumed that it was false gold I saw sparkling in the dirt. He singled me out, pursued me the way fire greedily consumes a trail of gasoline; black on black, but he saw me and lit me up and made me think I was the first and only and most important act of arson ever committed. 

And then the lonely phone calls, the cocksure confidence that I had nothing better to do than put myself on a six hour bus ride and bring myself to his door like Domino's Pussy Delivers. And that fire was put out as though a great, damp fist had closed around it and crumpled it all into ashen silence.


Mr. 105°

Oh look, a kindred spirit! A wordsmith, a dweller in the darkness, a nerd not unlike myself, head stuffed full to splitting with useless knowledge of the horror genre. His eternal goofy grin was disarming, his frying-pan face and bullet head surely not indicative of a contemptuous, belligerent soul lurking beneath. But one remark, one hairs-breadth of suspicion that I might be anything less than a fawning, unquestioning, unchallenging disciple of his obvious superiority, and out came the switchblade tongue, the almighty slam dunk which - in retrospect - was not unlike being suddenly and viciously punched in the face by a pony. How dare I? How dare I even think about questioning him? I am no one. I will always be a no one. And if ever I should forget my lowly status, he would be there to remind me. He expected an apology, a humble acquiescence. What he got was dropped, blocked and cut off cold. I was not impressed.

BullHead

For the better part of three years, we played Scrabble, shared jokes, discussed everything from music to pharmacology. He even asked for my thoughts and opinions on certain matters he was researching for his next film. He had high hopes that I would forge a relationship with his favorite leading man, and for a while it seemed highly probable. Promotional scheduling brought him to my neighborhood, sans the leading man, but no matter. We would meet at long last, throw back a few beers, pick up our discussion where we'd left off. We were friends, well and truly. Until he realized I was no one, had nothing and could not offer him anything but my friendship. I had written for him, glowing reviews that were earned, not purchased. But while he was discussing possible future projects with Hollywood A-Listers, I was just another nerd in a sea of nerdiness. A dime a dozen, nothing special. My services were no longer required, thank you. Goodbye and don't ask us for anything ever again. All I'd ever wanted was to commiserate with a kindred, and all I got was a kick in the ass. I cried for three days, and withdrew, and was no more.

Special Thanks

To all of the writers and producers, pseudo scream queens and fellow critics, directors and tin stars and hopeful sycophants who took time out of their busy schedules to acknowledge me with blisteringly vile hate mail when I failed to lie about the stunning depth of their non-existent genius. Thank you all for showing me how worthless honesty is in a world where favor is bought and sold like cocaine and friendship is weighed by physical attractiveness. Thank you for lowering my expectations and teaching me the wisdom of never expecting anything in return from anyone, ever. Because if you had not prepared me so well by rejecting me, using me, assuming I would fall in line without question or protest and meekly accept your authority over one such as I, I might have been sorely disappointed last night when yet another fallen angel crossed my path.

And I watched, and I waited, and I closed my eyes more than once, watching the strobing stage lights play kaleidoscope patterns against my eyelids, praying that I would be seen and recognized, knowing I wouldn't be, accepting that I would never be anyone's muse, never qualify to be a sister, or a lover or a friend or a memory called up when the days turn cold and grey. Several times, the alabaster bassist bestowed a wide, white smile upon me, which I returned. But nothing from the God. No communion, no blessing, no faith. the music stopped and so did my prayers. The theater grew quiet, the worshippers went away into the rain, and I was one of six remaining, VIP stickered fuckers still hanging around in the hollow cathedral, hoping for a fucking miracle.

And when he emerged from his chrysalis, I saw a caterpillar where a butterfly had been. His music had poured out of him like holy water, but the vessel was only human after all. The voice of God spoke through a mere shrub once: it didn't make the leaves and branches holy.

I saw a glass unicorn, one of those spindly little blown glass cheapies they sell at tourist shop kiosks. He was a bird skeleton, a wren whose ribcage would have shattered like Pringles if I'd hugged him too hard, But I never got that opportunity. The top of his head might have cleared my eyebrows with an inch to spare. Surely there was nothing beneath his clothes but common air: he was concave, void of substance. I couldn't picture him naked: he was so small and meatless, he couldn't possibly have an ass or a set of sex organs in there anywhere. He was just a boy, really. For all that he's pushing a mid century, he's just a sparrow boy, weightless as a cigarette wrapper and just as likely to be blown away by the wind.

He turned his back on his friend of many years, and kept turning it deliberately, showing us his spinal cord and hipless silhouette, his eyes very carefully never flicking our way. I knew him not at all, but his friend, with whom he had experienced fame, sorrow, death and glory, was ignored. We were the only two cast aside, like the rest of the beer cans currently being swept up by maintenance. He spoke with all but us. I listened to his voice rise and fall. I stared at his feet. He was wearing hideous slippers that made him look ludicrous. I wondered who had been tasked with fetching them: they were far too white and pristine to be his. They were new. They were awful.

I didn't want anything from him. I made it very clear beforehand that I wanted no posed pictures, stiff and awkward with plastic smiles for the flash. I wanted no autographs. Why would I? What would I have done with it? I've seen his name written a million times on inserts and album covers and guitar picks. What good would it do me on the back of a check register or one of the outdated receipts stuffed in my purse? I didn't want a conversation; the hour was too late and my bed was waiting 82 miles south. I had work the next morning. I didn't want sex. I'd had a terrible crush on him initially, but upon seeing him up close and in person... no. I realized it was the music I'd had a crush on. It was the music that had seduced me, the colors and emotions pouring forth from the well that had stolen my heart. I had mistaken the gift wrap for the actual gift. Again. I hate it when people do that to me, and there I was doing it to everyone. Setting them up on pedestals and erecting altars in their honor, offering flowers and silver coins and tarnished rosaries. Above all, offering my blind devotion. My stupidity and naivete and emptiness that a single look could fill up for a short while. I have to stop doing that.

He took not a moment, not a single second, to simply say to his friends: "Excuse me just a moment, just want to pop over and say hi to an old friend and a new one." And I would have been happy with that. A "hello." A "thank you for coming, safe home and sleep well." A wave goodbye as he walked off again, back to his friends. Back to that scrawny horse faced groupie with the stick up her ass. I don't care. Talk to whoever you want, go drink whatever you want, fuck whatever is willing to bend over. But don't dismiss me. I know you have peripheral vision. I know that you know. I can feel it.  Thirty seconds, good sir. Was that too much to ask? He owes me nothing, nothing at all. But would it have killed him to meet our eyes? Smile? Nod?

Fine. Goodnight. Farewell. May the rest of your tour be happy, lucrative and inspiring. I hope you see a thousand sunsets over a hundred different countries and never grow bored with the sight. I'll stay here in my own world and leave you on the shelf. Thank you. Truly and genuinely, I thank you. We will never meet again, fair creature. And I slept perfectly well, knowing as much.

Monday, May 18, 2015

The Collectors

"I'm a collector, I collect anything I find
I never throw anything away that's mine
And I'd collect you too if I was given half a chance
And trap you under the glass and add my autograph..."


Index - Steven Wilson


Don't Worry, Be Happy
by a very pissed off (and justifiably so) Cory Udler


The fucking guy had 30 copies of “Three On A Meathook” on VHS.  Take a second with that happy horseshit.  30 copies “NFS” (not for sale).  The fuck does any human being need 30 copies of any fucking movie for?  I love Judas Priest’s “Turbo” album.  I may be the only person on earth who does.  I would hope that if I had 30 copies of “Turbo” displayed on a shelf in my house that someone would care enough about me to have me committed.  Or put down. 

They’re called “collectors”.  They’re fucking psychotic.  For those of you not aware (and if you are one of those who is not aware I’m envious of you) there is/was a huge underground market for collectors of VHS tapes.  Horror and exploitation, kung fu, porn, screwball comedy, all genres.  As an example, Chester Turner’s “Tales From The Quadead Zone” on VHS sold for something around a quadzillion dollars.  I love Chester Turner to death, but this had nothing to do with the “art” value of his movie.  This was just a weird competition between young people with obvious expendable income.  So, what the fuck is “Quadead Zone” and who is Chester Turner?  Chester was a low (no) budget filmmaker from Chicago in the mid 1980’s.  He made two films, “Black Devil Doll From Hell” and “Tales From The Quadead Zone”.  The first film had modest distribution but, not unlike every single fucking distribution story you will hear from any filmmaker at any level, he got fucked by the distributor and decided with his next film to do it all himself.  Duplication, box art, tape labels, everything.  Chester and Shirley Jones, the lead in both films, would take copies of the movie and drive them around to various video stores and sell them that way.  No middle man, no worries about where your cut was going, he handled it all.  Chester, like most of us, had a life and couldn’t drive coast to coast selling a weird horror movie on VHS to every Podunk, jerkwater, mom and pop video store along the way.  So, the movie became a thing of legend due to only regional and limited release and availability.  Chester dropped out of sight soon after and wasn’t heard from for decades.  Louis Justin from Massacre Video spent an incredible amount of time and effort tracking Chester down a few years ago.  His company released special editions of all of Chester’s movies and even laid down some dough for Chester to make “Tales From The Quadead Zone 2”.  Anyway, this isn’t an article about Chester Turner, so moving on. 

I never ditched my VHS tapes.  As a matter of fact, I’m a bit of a VHS collector myself.  I don’t build shelves and display, however.  I’m broke as fuck and VHS tapes are never more than a dollar so for me it’s functionality.  I watch them.  Sometimes more than once.  I have a stupid collection of Three Stooges VHS tapes that I’ve been collecting since I was about 8.  I also have every KISS VHS ever released and a wide selection of other hard rock and heavy metal tapes.  Yeah, I’m a fucking goober and I totally understand that.  I also totally understand that this may seem like a contradictory statement.  I can assure you it’s not.  I’ll let you in on where I’m going here. 

A few months ago I sat down to write an article about how nobody’s happy with anything anymore.  In a day and age where everything is convenient, nobody’s happy.  At all.  Ever.  But, I didn’t know what I wanted to say so I watched “Death Wish 4” instead.  But after an interaction online with a vinyl collector I finally had my inspiration.

Cory and the Kiddo
I wanted to buy my daughter, who is turning 2 in a few weeks, this rad Thomas The Train station play set.  It has all the trains and it whistles and shit.  It’s cool and she loves that show.  So, to surprise everyone, I was ditching a few vinyl albums I didn’t listen to anymore and that I didn’t like the sound of on my stereo.  One guy wanted them so, being a novice vinyl seller, I went to the post office to ask the best way to package them.  The woman walked me through it and I sent them off.

During the shipping, the inserts had slipped into the adhesive on the box and tore some of it off upon opening.  This motherfucker lost his fucking shit.  He posted at least 12 pictures with a four paragraph rant on a social media page dedicated to vinyl collectors about it.  Then sent me every single picture along with an even longer rant including about how I “ruined his day” and how he “missed a Derby party” because he wanted to open the albums up but was now too upset to go.  Now, any rational person would look at this response and just chalk it up to “fucker’s insane”, but I didn’t.  Not this time.  Most other times I would and just go on about my shit.  But this struck a chord.  I QUICKLY refunded his money and apologized.  I’m pretty sure the opening of the package to the money refunded was somewhere in the 15-30 minute range.  I told him to just keep the albums because now every time I’d go to fucking play them I’d think about this delightful interaction.  The packaging was fucked up, I refunded him, situation cool.

It wasn’t the fact that I sold him the albums for $20 less than I paid, even though I only played them once, and then refunded his money and therefore don’t have enough to buy my daughter the Thomas The Train station for her 2nd birthday and also now don’t have the albums, either.  It was the fact that something so fucking trivial as a vinyl record’s inner sleeve being damaged could cause this much distress to someone.  What would it take to make you post 12 pictures and a four paragraph rant on social media because something “ruined your day”?  A death of a loved one.  A cancer diagnosis.  Your house burned down.  Everyone would understand.  Those are extremely traumatic, and in situations like that sometimes people are under so much distress that they cannot properly express themselves.  But a vinyl record inner sleeve is torn?  The cover had some adhesive stuck to it?  Ok, you send the guy a picture of it, just a “thought I’d let you know” sort of thing and hope the dude’s stand up enough to say, “Oh, fuck, dude, I’m sorry, do you need a refund?”.  That is the proper way to react to that situation.  The proper way to react to the police shooting your dog is to post 12 pictures and a four paragraph rant on social media. 

When your day is ruined by a damaged Guns N Roses album you need to take a long hard look in the fucking mirror and reevaluate your priorities.  But this is our world.  Everyone’s offended by everything and if something doesn’t exactly meet your expectations, never mind how overblown they may be, that’s cause for outrage. 

I have a copy of KISS’s seminal 1975 breakthrough album, “ALIVE!”, on vinyl.  It’s a piece of shit.  It never had an inner sleeve to protect the albums.  The cover is warped and torn and someone wrote “C. Vine.  1963” in the upper right hand corner.  There are other pen marks and scribbles all over it.  The cool thing was is that it came with the original tour book insert.  It sounds like hell.  But I just had it on the other day.  Scratchy and loaded with pops but doesn’t skip anywhere on the two discs.  I have no intentions of upgrading it.  Ever.  This is my copy of “ALIVE!”.  To me, it’s almost like someone in your life.  You know at the core you love them or care about them and can overlook their shortcomings.  Just like my copy of “ALIVE!”.  Put that in a fucking greeting card. 

Instead of lamenting the fact that I don’t have and will probably never have $30 to drop on a new vinyl of “ALIVE!”, I instead embrace the one I have.  Pleased with the fact that I’m able to listen to it on a decent turntable.  Starving children in Russia don’t have such luxuries.  But I do.  I’m a lucky guy. 

But nobody’s happy and nobody feels “lucky” anymore.  My wife and I tried having children for somewhere in the neighborhood of 8 years.  We tried everything.  And by everything I mean every single fucking thing we could come up with to have a baby.  Neither of us was diagnosed with any reproductive issues.  We just couldn’t for whatever reason.  We put our names on a list for adoption in 2010.  We waited.  And waited.  We went through every miserable inch of the waiting process.  At Christmas 2012, we told our families that our adoption shit was up for renewal at the end of 2013 and we weren’t going to go through it.  We were 37 years old and finishing this chapter in our lives.  In April of 2013 we found out about Adelaide Marie.  Today I can tell you, I’m a very lucky guy.  I have a beautiful, funny, healthy, active, smart 2 year old baby girl that I wake up to every day and lay down to sleep every night.  It’s been an amazing profound change in my life and even on bad days I am extremely grateful and happy and content.  It takes a lot for me to lose my shit.  But when I do, it’s for a good reason.  Normally because I’m being disrespected or ignored.  When I’m made to feel like I’m less than you, I’m done.  But, my vinyl album shows up with a bit of damage and THAT is enough to ruin my day?  I spent every single day of 8 years wondering what my future was.  What was I doing?  Was I going to make any difference to any one, anywhere at any time?  What was I going to leave the world?  My “career” wasn’t anything to celebrate. 

In August of 2012 a close friend of mine from childhood on contacted me.  She was pregnant and was in no position to keep the baby.  Abortion wasn’t an option for her.  Not that she was opposed to it, just wasn’t an option for her in this situation.  She wanted my wife and I to adopt the baby.  We went through all of the legalities between the states we lived in, made phone calls to lawyers, the whole shmear.  She lost the baby at the end of her first trimester.  We were devastated.  I was working at a tv station for people who didn’t like me.  The feeling was mutual.  I was fucking lost.  We felt worse for her as that is an overwhelming wave of emotions to go through.  We just had the one.  Disappointment.  We were used to that, we knew how to handle that one.  We couldn’t imagine what she was going through.  When she found out about Adelaide she sent us a KISS onesie that I now have tucked away in a box for her when she’s older.  I know what it’s like to have your fucking day ruined.  I also know what it feels like to be a “lucky” guy. 

Nobody’s fucking happy with anything.  Star Wars trailer is released?  We hate the “ball droid”.  Faith No More has a new album out after 45 years?  Jim Martin’s riffs aren’t on it.  And everyone has an opinion, and everyone can’t wait for you to hear it, no matter how insane, hateful, racist, sexist, ignorant, insignificant, childish or vile it may be.  In a time when information is basically fed directly into your central nervous system without you having to do more than push a screen with a finger everyone’s an idiot and nobody’s interested in any sort of actual communication.  I go days without going on social media.  I have to.  I’ve also whittled down my social media pages to heavy metal, The Three Stooges, KISS and a select group of actual friends or people I like.  I had to.  Especially when I decided to walk away from doing movies.

In October of 2012 I premiered the third movie in my trilogy of “Incest Death Squad” projects.  I also said I wasn’t doing anything in 2013 and I didn’t.  My daughter arrived midway through 2013 and it wasn’t until February of 2014 that I came up with the idea to do another movie.  This one, however, I was going to do on a timeline.  I set a release date before I even had the script done.  This was my Roger Corman experiment.  We shot the entire thing in 3 days.  Two 9 hour days, one 6 hour day.  During the filming I decided that this was it for me.  I spent more time putting out drama fires than I did actually DIRECTING a movie.  I no longer felt the burning passion to make movies.  I did 5 movies and one short in 6 years.  Basically by myself.  This was an experiment in many ways.  To see if I could do a movie on a timeline and to see if this was really how I wanted to use the tiny bit of free time I actually have.  That movie answered all my questions and since then I have distanced myself completely from any “scene” I wasn’t really a part of in the first place.  Why?  Because I, like everyone else, wasn’t happy with how the scene was going.  Everything I watched I found lazy, boring, contrived or cliché.  I also saw how people weren’t in this because they had  a burning desire to tell stories or be creative.  Many people were doing it because they wanted to be famous, or rich, or a convention darling.  It’s high school for people with tattoos and Fulci shirts.  Instead, I put my focus on my family and my day to day life.  I also poured myself into my newest podcast dedicated to The Three Stooges.  The only one on earth, I might add.  Movies just don’t fit into my life at this point.  I started writing this article 2 weeks ago.  It isn’t taking so long because I’m stuck for something to say, it’s because I get about an hour a day to myself and sometimes that hour is spent staring at a wall because my brain is fucking oatmeal.

Cory and the IDS.
I did movies for me and me only.  I also tried to make it an experience that those who acted in would be proud of.  I have no money.  Let me say that one more time, just so it sinks in.  I HAVE NO MONEY.  Every one of these movies I have done for less than $3,000.  I can do that because I write, do all of the pre production, DP, direct, edit, design the DVDs, all of it, solo.  Solo nobody knows I’ve even made movies.  I never believed anyone when they would tell me they liked the movies.  I still don’t.  I appreciate that hopefully someone got something out of them, but I don’t believe anyone when they tell me they actually liked what I did.  So now, movies are in my past.  I am using this article as a way to sort of dip my toes back into the writing waters.  I do my Stoogecast podcast for me, also.  I get to dive into amazing books about the team and the bit players.  I get to interview those who knew the Stooges best, family.  I am helping a local metal band with some of their promotional efforts.  I’m doing a music video for another metal band.  That’s about all I can take on right now.  I have no room for fucking squat else, that includes people.  Especially those who are nothing more than vapid drama. 

An author I highly respect went on a social media rant about the new Mad Max movie, transitioning that venom into a new Star Wars assassination.  I posted a cute little meme of an old guy in a Native American headdress that said, “Now get off my lawn”.  A little levity.  The picture was funny.  I save it on my phone for when I need a little pick me up.  He went off.  A caps lock and exclamation point bukkake about how I’m “so original” and “did you come up with that all by yourself?”.  If there’s one thing I hate, it’s being talked down to.  Especially by someone who isn’t any better of a human being than I am.  Unfriend, block.  I have no time anymore.  And this guy is older than me.  Why are you fucking flipping out about Mad Max and Star Wars?  Grow up. 

It’s this sort of thing that really makes me wonder what sort of world we’re living in.  For days now I’ve been seeing articles and posts about Louis CK’s Saturday Night Live monologue.  I haven’t watched Saturday Night Live in 15 years, and I couldn’t pick Louis CK out of a police lineup.  That shit has nothing to do with me, yet people who haven’t been in Saturday Night Live’s “demo” for 20 years feel the need to chime in.  Why?  Why the fuck do you even care?  Do you know what has nothing to do with me?  American Idol.  It never has.  I’ve never watched an episode.  It’s cancelled.  That has zero bearing on my life.  It was never meant for me, never a part of my life.  Now that it’s going away I can honestly say I won’t notice.  Just like the Mad Max movie, the Ninja Turtles movie, Baby Metal, etc, etc.  It is not meant for me, I’m not the target audience, it has no place in my life and therefore I ignore it, pay it no mind and focus on my life and the shit I love.


Sean Yseult
At some point you have to step back and realize that the world is no longer yours.  Frank Henenlotter said that to me once.  He also said he was happy that he lived in the world he lived in.  That really stuck with me.  I grew up in a time where me and my three friends, all of us under the age of 18, drove to Minneapolis together to see White Zombie.  We were high the entire time up, the entire show, the entire way home.  No GPS, no phones, no Facebook, nothing.  Just us and a determination to have fun.  We couldn’t tape the show with an IPad and post it to YouTube.  But guess what?  The show still happened and I will never forget it.  I still have the vision of crucified clowns descending from the ceiling of the auditorium as Rob Zombie stalked the stage with a huge hose spitting thick smoke while “Blood, Milk and Sky” swirled in the background.  And all of us agreed that night that we’d all love to have a relationship with Sean Yseult.  I was at a Ghost and King Dude show in Chicago in the pit.  I may be 39 but fuck you youngsters there.  I know how to work in a pit.  There was a guy with his IPad filming King Dude and another guy with a Ghost vinyl IN THE PIT.  That was a new one.  I went to King Diamond and sat in the balcony.  The guy in front of me propped his IPhone up on the railing and taped the entire show.  I took about 20 pictures (all at once) but for some reason I still remember every single stitch of that show.  People can’t live life unless it’s through a screen.


Back to the collectors.  I follow a Star Wars collecting group on Facebook, mainly because it brings back good memories of the toys of my youth.  Someone posted a picture of his garage which was loaded, floor to ceiling, with Star Wars shit.  He even commented that he has about “4 of each figure” and isn’t sure what he’s going to do once the garage is full.  Maybe build a pole shed.  Fuck.  You’re a sick man, my friend.  They have shows dedicated to your mental illness.  Hoarders: Buried Alive.  Granted, it’s cooler to be buried in Jabba The Hut figures than petrified cat shit and McDonalds bags, but still.  He also pointed out that “nothing is for sale”.  Two parts, why do you need that shit and why did you feel the need to put that out into the world?  Collectors are just like that neighbor you have who doesn’t have a pot to piss in or a window to throw it out of.  Their kids eat processed fish sticks 7 nights a week and they never take a family vacation.  But that motherfucker’s got an Escalade.  Just to show you that he’s better than you.  Same with the dipshit hoarding 30 copies of “Three On A Meathook”.  Ooooh, you’d like to have one of these, wouldn’t you?  I have 30 of them.  That’s 30 of them you can never have.  It’s complete insanity.  But, I’m also a firm believer in that this rampant assholism isn’t anything new, it’s just that information travels so fast now directly into the palm of your hand.  These fucking maniacs have always been around.  Now they just have a way to rub more people’s nose in their opinions, psychosis and unfiltered weirdness. 

I have to wrap this up.  I could go on for another year. 

My point is, collectors are assholes.  The worst.  Especially vinyl collectors.  They have the rarest albums and have no plans to enjoy them further than taking a picture of it and posting it to a group so they can be the envy of others for a few moments. 

Nobody’s happy with anything.  I’m sorry, your opinion fucking sucks and doesn’t matter to anyone but you.  Keep it to yourself.  And when you throw it out there for the world you can’t expect everyone to pat you on the head, hand you a participation trophy and tell you you’re a good boy.  If you lash out at someone for calling you out on your bullshit, you need to grow up and look in the mirror and realize that maybe your thinking isn’t right.  I know, it’s hard.  But it’s worth it.  And it’s really the only thing that matters.  Self awareness. 

I am thoroughly enjoying not making movies.  I haven’t watched a horror movie in 8 months.  Well, not counting “Andy Warhol’s Frankenstein”.  I will not watch “The Babadook”, it’s been way too jizzed over and really doesn’t seem like anything I’d like. 

We all need to take a fucking step back and realize that our dog and pony show isn’t original, it isn’t funny, it isn’t important.  You’re not special.  Your opinion isn’t any better or more correct than anyone else’s.  So just keep it to yourself, or risk people knocking you back into your place. 

And please, for fuck’s sake, just enjoy things.  If you didn’t like Mad Max do the world a favor.  Shhhh.  It’s going to be ok.  It’s just a movie.  And a movie probably not meant for you anyway. 

Now, get off my lawn.

SAGA hits Norwegian TV

As promised, here is the full length trailer for 
SAGA 
A Black Metal Viking Biker film with Zombies! 

It hit Norwegian television today!


Sunday, May 17, 2015

Lords of Chaos

So the big news out of the black metal world this week is the announcement that producer Ridley Scott (Blade Runner) has hired Swedish director/musician Jonas Åkerlund to helm the film version of Lords Of Chaos, the much disputed and controversial tale of the early 90s black metal scene in Norway. The film will focus on the relationship between Øystein "Euronymous" Aarseth and Varg Vikernes, whose friendship didn't go so well, and which really went down the shitter when Vikernes murdered Aarseth in the summer of 1993.

Already, the metal community is scoffing and sneering, outraged at the idea of metal's most sacred subgenre being turned into a glossy Hollywood exposé. They're pointing to 2008's Until The Light Takes Us as the ultimate black metal film, even though they hated that one too when it first hit screens. Turning black metal into a product is perhaps the biggest taboo in the metal community, akin to talking about Fight Club. But who are we kidding? We're all going to watch the film, just admit it. Morbid curiosity is the sex and chocolate of the soul: we don't need it, but damn it makes life so much more tasty.

Cast in the lead roles are Rory McCulkin (brother of Macauley) and Caleb Landry-Jones. It's not confirmed who will be playing who yet, but popular opinion is leaning towards Culkin as Aarseth and Jones as Vikernes. I haven't seen Culkin in anything and therefore have no pre-formed opinions about his ability to tackle the role of the self proclaimed godfather of the black metal mafia. Jones on the other hand...

If you have not yet seen Antiviral, the first full-length effort from David Cronenberg's son Brandon, I strongly suggest that you do so immediately. Not only is Brandon the proverbial apple whose fall from the tree might have made the Guinness book of records for the shortest distance drop, but Caleb Landry Jones in the lead role is nothing short of a supernova. With his alabaster skin - splattered with a flaming galaxy of autumn colored freckles - and his hard, cold, ice-chip eyes, Jones just may be the perfect choice for Vikernes.




















I'm sure Vikernes will disagree, but frankly I'm of the opinion that one could debate for hours with Vikernes about the exact color of orange juice and never resolve the issue.

Anyway, filming is slated to begin this autumn, in Norway. Director Jonas Åkerlund, admittedly best known for his long time collaboration with Madonna and director of the 2009 Se7en rip off Horsemen (a film I was utterly unimpressed with, although that may have had a lot more to do with my dislike of Dennis Quaid than I care to admit, but whatever) was - for a brief period - a member of the band Bathory, a band whose name is synonymous with God in black metal circles. Just ask Fenriz.


So yeah, Åkerlund has some street cred.

Meanwhile, also in Norway...

Norwegian filmmaker and gearhead madman Jorn Steen is putting the finishing touches on SAGA, a homegrown horror movie starring none other than Ted Skjellum, one half of legendary black metal group Darkthrone. With a full length trailer due to hit Norwegian TV tomorrow, news about Lords Of Chaos couldn't have been better if it had been deliberately timed. Which it wasn't.

Once SAGA has wrapped, Ted and Jorn will begin work on yet another film, this time with BOTH of them taking turns behind the camera. "Route 666: Backroads to Hell" will be a biker trip to Hell - LITERALLY! The guys are gunning it from Porsgrunn to Hell with some seriously sinister stops along the way, including Eagle Road (Fylkesvei 63), The Black Ice (Svartisen Glacier) and Jotunheimen, the mythical "home of the giants." And there may be some friends joining them along the way, but you'll just have to be patient and wait to see who else throws in.

So to all of the sneering little naysayers out there who are up in arms about the sacred being profaned, calm your titties. The genre is in good hands.

Sunday, May 10, 2015

Smile, bitch!

"wow really, like can a guy talk to a woman and it not be assumed he is going to rape her. I guess not because every time i see something posted on here its just another thing that seems like acceptable human interaction that some woman is ranting about. "Like omg sauce stop telling me to do things, or omg a guy is approaching me im gonna get raped" grow up. I'm all for equality but if you cant handle someone talking to you, shove off. also, if your that scared about getting raped wherever you live either A. move or B. buy a gun, learn how to use it, and shoot the fucker. Problem solved"

~ Some Idiot on Facebook who just doesn't get it.

The above ignorant statement was cut and pasted verbatim from FB, where it had just been sitting there - like a giant wart on the ass of God for all to see - in response to an article addressing a woman's objection to being told to "smile" by random guys on the street.

Allow me to retort.

#1 - Please correct the following errors in your grammar and spelling: There should be a question mark (?) after "her." The "I" in your second sentence should be capitalized. You need an apostrophe in your "its" so that it is not possessive but rather a shortened form of "it is." You used the correct form of "I'm" in referring to yourself, but not in the sentence preceding it, where you instead wrote "im." "Also" should have been capitalized. Also, you used the wrong form of "you're." In closing, you forgot to end your paragraph with a period. You're welcome.

#2 - Regarding your statement: like can a guy talk to a woman and it not be assumed he is going to rape her? The answer is Yes. Yes, you most certainly can talk to a woman. You can comment on the weather, be it pleasant or unpleasant. You can smile and say "hello." If need be, you may even ask her for the time if you notice she is wearing a wristwatch, or respectfully ask for directions if you have lost your way. What you may not do, however, is make demands of her, regardless of whether or not you know her personally. Requesting that someone "smile" is rude. Requesting that anyone smile is rude. Their sex is irrelevant. Perhaps the person you see who is not smiling has a headache, or is tired, or had a bad day, or is in mourning, or just wants to be left the hell alone to mull over their own thoughts. They are not part of the backdrop of your life, required to look pretty for you. Telling someone to smile is not an "acceptable human interaction." It is presumptuous and rude.

#3I'm all for equality but if you cant handle someone talking to you, shove off.

Well, I'm very sorry to have to point out the obvious, but you are not "all for equality." Would you walk up to a random guy and tell him to smile? He'd probably fucking clock you right in the mouth for "being a fag." At the very least, he'd snap back with a "mind your own business!" If a girl were to walk around telling random guys to smile, she'd be "asking for it" by being so "forward" and "really should have known better" for "bringing trouble upon herself."


#4also, if your that scared about getting raped wherever you live either A. move or B. buy a gun, learn how to use it, and shoot the fucker.

Moving is not the answer. There is no Magical City where women are not harassed on a daily basis. Also, buying guns is a cop-out. Guns are expensive. Guns can be turned on the owner, especially if she is attacked by someone more physically powerful than she. Shooting someone has consequences, like arrest, trial and conviction for murder. Do you really, honestly believe that every woman who is sick of putting up with the rudeness of strange men should resort to relocating every time it happens and/or committing murder? Don't you think those options are a tad extreme? Wouldn't it be easier if - oh, let's say - men stopped loudly offering their opinions of a woman's appearance and/or demanding that she "smile" and/or perform sexual acts on him in public?

#5 Problem solved
WRONG. YOU are the problem. You are saying - in a nutshell - that you refuse to change your behavior and are further unwilling to admit that your behavior does indeed need changing. And it does. We tell children not to talk to strangers, but once the females reach sexual maturity, they are dismissed as "bitches" if they do not respond favorably to your unsolicited comments, suggestions and remarks. Can you really not see how profoundly fucked up that is?

No, women (in general) do not assume that all men are out to rape them. On the contrary, we are hoping against hope that you won't disappoint us, won't be yet another in a long line of douchebags, won't betray our already broken and bruised Trust. We will not stab you in the face with a nail file if you say "hello" politely, talk to us as if we were actual human beings and not walking sex dolls and attempt to engage us in conversation that is free of such tiresome gems as "so, send me nudes" or "do you masturbate?" Screaming at us from passing cars to show you our tits never works. The total amount of times I have stopped walking, dropped my purse and started pole dancing up and down the nearest STOP sign after being yelled at by some cretin in a speeding rust bucket is exactly zero fuckzillion.

I will smile when I want to, when I genuinely have something to smile about. I do not smile on command. I also do not fetch. Deal with it.

You don't have to worship us or walk on eggshells around us. Just treat us like people and act like a civilized man instead of a bull gorilla in heat. Is that so difficult to comprehend?

Saturday, May 9, 2015

Coma Ecru

28 Days Later. Great movie, huh? Gave the zombie genre the shot of reanimation fluid it needed. And I'm not even going to get into the whole "it's not really a zombie movie because the infected aren't dead" argument. It's a fucking zombie movie, zip it. And it's a pretty good movie. I'll never be the world's biggest Cillian Murphy fan, and the movie perhaps had one too many scenes in common with it's many predecessors (i.e. Dawn of the Dead, Night of the Comet, etc.) But I liked it enough to buy it on DVD. The fact that the version I purchased was a discounted version on a double bill with Aja's remake of The Hills Have Eyes for $5 in the Wal-Mart bargain bin has nothing to do with anything.

But the whole backstory for Jim's character damn near ruined the whole thing for me. For those who haven't seen the film (or don't remember) Jim was a London bicycle courier who was hit by a car and thrown into a coma. He awakens 28 days later to discover that the human race has damn near been obliterated by a virus which turns its hosts into homicidal rage machines. Jim, upon waking, looks to be in desperate need of a sponge bath and probably smells like warm cheese. The fact that Murphy was willing to be shot full frontal, soggy whipper included, still doesn't make me like him, although it did fiercely increase my desire to brush my teeth. Anyway, Jimmy gets up out of bed, unhooks himself from a couple of wires and walks out of the hospital into the abandoned streets of London. And that, my friends, is bullshit.

Now if I kind of squint, I can sort of make out what looks like a life support system laying on the table beside him there. Who took it out and why? Would anyone really have bothered to go to the trouble of removing it once the panic had taken over? It's not a quick process. It's not a tube that just sticks in your mouth and blows air down your throat like a reverse vacuum cleaner. That's not even the oxygen apparatus: that's the nasogastric tube that goes all the way down your throat and into your stomach, feeding you while you're unconscious. It presses down on your vocal chords as well, rendering you incapable of speech for a short while after removal. So yeah, all that wandering about screaming "HELLO!" at the top of his lungs? Not possible.

Also not possible:
When you're in a coma for any amount of time, whether it's 28 hours or 28 days, your muscles begin to rapidly atrophy. Simply put, you cannot fucking walk at all, anywhere, without assistance, period. Your legs become useless strings of rotted rubber. There is no way in Hell that Jim could have stood up on his own, let alone run at top speed down the street less than an hour later from a flaming, pissed off infected person. Jim, by all rights, shouldn't even have been able to sit up. Because guess what? The muscles in your neck atrophy too, and holding up your own head is like trying to balance a bowling ball on the tip of a pencil.

I've never seen a movie that accurately portrayed what it's like to be in a coma. Not even Kill Bill Vol. 1, although Uma Thurman's legs crumpling uselessly beneath her when she attempted to stand up was pretty close. The Dead Zone's Johnny Smith was perhaps the closest a film ever got to an honest depiction, showing the tubes, the physical therapy and the limp that Christopher Walken affected through the entire movie. But most of the time, we see a peacefully sleeping and fastidiously groomed actor in a hospital bed, crisp white pillowcase cradling their heads which are somehow miraculously full of clean, untangled hair.

Bull.
Shit.

Movies want you to think that comas look like this:















When they actually look more like this:
















Comas are not romantic or restful or glamorous. Not even the actual coma part. At least mine wasn't. I could hear the nurses talking about me, the doctors forecasting my condition, my mom telling me I'd be okay. I really didn't give a shit. I was aware, but totally unconcerned. And then I woke up. And immediately wished I hadn't.
You cannot bathe when you're hooked up to a life support system with tubes down your throat and up your ass and snaking out of your naughty bits, draining pee and shit from your body into plastic bags that hang by the side of your bed and which everyone can see. Your hair gets snarled and greasy. Your legs and armpits go unshaved and undeoderanted for days on end. You stink. And if you're lucky enough to be in a coma during high summer (as I was) you will reek. You won't be able to sleep because you're covered in your own stink and rancid sweat. You will have bruises all over you from the IV needles, puncture wounds in your neck and possibly a lovely pair of bloodied eyeballs from ruptured blood vessels in your irises. You spend your days in a fog of narcotics, which isn't as blissful as it sounds. You hallucinate. I personally mistook my night nurse - who innocently came in to check my blood pressure - for a giant mosquito, complete with proboscis. When they finally took my tube out, they fucking yanked it out, pulling me up off the bed. I saw the ribbed plastic tube come out of me, covered with brown stomach fluid. I was still on heavy drugs and for a moment I believed they were yanking my spinal cord out through my mouth. Then it was out and I thought the worst was over.

I'll spare you the details of the physical therapy, the constant spitting-up of fluid and phlegm from my polluted lungs, the inability to wipe my own ass and having to have a nurse do it for me. Yeah, that was great. Wonder why they never show that in a movie?
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